The Danish Girl

2015

Action  Biography  Drama  Romance  

Synopsis


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February 19, 2016 at 11:00 am

Director

Cast

Alicia Vikander as Gerda Wegener
Amber Heard as Ulla
Eddie Redmayne as Einar Wegener / Lili Elbe
Ben Whishaw as Henrik
720p 1080p
874.43 MB
1280*720
English
R
23.976 fps
1hr 59 min
P/S 32 / 149
1.81 GB
1920*1080
English
R
23.976 fps
1hr 59 min
P/S 24 / 121

Movie Reviews

Reviewed by kinolieber 9 / 10

The film equivalent of a coffee table book about Lili Elbe

First the good: Alicia Vikander gives an excellent performance in a poorly written role. The music, when it's not loudly substituting for a decent script, is often lovely. And the historical context is illuminating, especially the very real danger of institutionalization. Other than that, what a mass of prestige picture clichés, laughably symmetrical camera set-ups and gorgeous landscape cinematography. And poor Eddie Redmayne. Completely out of his depth in the central role. Obviously, no one knows how well Lili Elbe passed for a woman, but no one, and I mean absolutely no one, would mistake Redmayne's Lili for anything else but an awkward, clumsy male in a bad wig. Granted, that would make an interesting take on this story: someone who believes they look like a woman but who doesn't. But that's not what this film proposes. Quite the opposite, which is why the audience consistently laughed every time the film suggested that Elbe herself, or other characters believed in the success of the transformation. The script is so cliché ridden and repetitious that even an actor as fine as Matthias Schoenaerts can't liven it up. And for some reason he is made up to look like a sweaty cadaver. And again,I felt bad for Mr. Redmayne, that he didn't get the directorial help he needed in the role and a better script that left him more to say than the trite and predictable lines in this one.

Reviewed by tuco73 9 / 10

Great story, good effort, but poor result

The story could have been very dramatic and deeply touching, as it is a true story of both the internal conflicts of a man and the deep love of a woman to her partner. Unfortunately the meticulous attention to image rather than screenplay (to me) resulted in a quite cold and un- engaging movie, where beautiful costumes, interiors and landscapes are the only highlights. I found that even the acting of the brilliant young Eddie Redmayne was not that good, as his constant smiles and shy blinking eyes after a while seem to be the only stratagem he has to portray such a complex character (and after the first dozen of them I couldn't stand it anymore). A more sophisticated psychological portrait of the main character and a more dramatic rendition of his/her troubled soul would have given more solidity to a movie which seems too superficial.

Reviewed by The_Film_Cricket 9 / 10

Well made, well acted. Little cold emotionally.

*** This review may contain spoilers ***

Reviewed by Turfseer 9 / 10

Story of transgender pioneer will grab you but still needs more character development

The timing for a movie like The Danish Girl could not be more perfect. Here is the true story of Einar Wegener, the celebrated Danish artist who became the first recorded case of sex reassignment surgery in history coming out right as publicity about Laverne Cox and Caitlyn Jenner, and the critically acclaimed show "Transparent" are pushing all those worn out water cooler jokes right into the trash cans of history. The movie is a loving tribute not only to Wegener's courage in trying to find his own sexual identity during a time when such a thing could easily lead to mental institution, but also to the love and devotion of his wife Gerta who stood by him during his journey of self discovery.And yet . . . the movie left me cold.For all its emotional outpouring, mainly from a wonderful performance by Eddie Remayne as Wegener, The Danish Girl never quite hits the high points that I was waiting for. There's an undercurrent of expression that seems buried and never hits its emotional peak. That doesn't mean that the movie isn't engaging. It is a very involving story, and very well acted, but something feels restrained.We meet Wegener at the height of his fame in the 1920s, married to the fellow painter Gerta Gottlieb (Alicia Vikander) whose work was no less brilliant but far less successful. Einar and Gerta's marriage is loving and lovingly active. Yet, for Einar, there is some piece missing, something in his soul is stirring to get out and as the movie opens those feelings emerge one day when Gerta, short for a deadline, asks him to put on a dress to pose for her painting. That's when the dam breaks and all the things that Einar has been struggling with finally bubble to the surface.It becomes clear that what Einar has been feeling is not so much passionate affection for his wife (which he has) but a need to be near her, and a need to be who she is. When he touches her underwear it isn't because it's sexy, but because he longs to be qualified to be in it. When he stares at women at a party, it isn't out of lust, but out of envy. Gerta is, much to our surprise, very open to this. She's willing to embrace her man's budding orientation even if it is likely to make them social outcasts. She starts painting portraits of "Lili" but doesn't tell anyone that it's her husband. They even take Lili (to which he eventually changes his name) out in public where no one ever suspects that it is really Einar.This, naturally, does not bode well with society at large. Early in the film a doctor gets Einar to open up about his sexuality and almost immediately prescribes shock treatment, reminding us that this was a time when doctors could essentially play God, prescribing dangerous "corrective measures" or simply locking a person away with no trial, examination or good reason. Clinically, this was to be his fate until, later, he met an enterprising (and far more open minded) doctor who suggested that Einar be part of his experiments in sex reassignment. That comes at the very end of the movie and is difficult to watch when you know that it eventually claimed his life.What works best are the performances by Eddie Redmayne and Alicia Vikander who lovingly recreate what must have been the most challenging relationship that any married couple might have had. She's accepting of her husband wearing lingerie under his suits and seems even a bit turned on. She sees it as kind of a kinky dress-up. The two start stepping out on the town together, not as husband and wife but as two girls on the town. For Gerta, this is a step that she finds that she must be forced to face, that Lili is becoming her husband's dominant personality. Naturally, she feels the weight of how odd this situation is.The film allows us into the tight, closed-in spaces that Wegener seemed to occupy, symbolizing the confinement that he must have felt in real life. Redmayne, fresh off his Oscar win as Stephen Hawking in The Theory of Everything gives us a performance that is achingly sad. He's a very expressive actor who always seems on the edge of bursting at the seams. And yet, like his performance as Hawking, he does wonderful work in a movie that I can't fall in love with. The film is too remote, too distance, too unwilling to engage us. The pieces are there, the story is well told but the emotional notes seem to be missing.My other problem with the film is that while it celebrates Wegener's personal struggle it comes up very light on displaying his work. Wegener painted beautiful watercolors mostly of women and one suspects that they were all pried from personal expression. Yet, the work seems only fleeting in the movie, and I think that's a major misstep, if an artist's work in an expression of his soul then why don't we see him doing more of it? We see it, but we don't feel the passion that he poured into it. Gerta is actually the one who does more of the painting in the movie and it is never expressed why she wasn't more successful.The Danish Girl is a movie that I struggled with. There are two beautiful performances here but I couldn't get to the emotions that I was supposed to feel. We never get to the middle of Wegener's true struggle with society at large. Yes, he's given shock treatments. Yes, he's beaten up by street thugs. But there's an element of danger missing from the film, something that I was supposed to feel but did not. This is a good and human film with greatness that is never allowed to come out.

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